Best TV show.
This one was tough, although truth be told the US isn’t nearly pulling its weight like it once was. So what did we have, well there are many shows I liked, but how many would I actually judge as “best?” Ashes to Ashes was definitely good in its final season, Stargate Universe has become must watch TV even if it took me a while to get into my head that it wasn’t like the last two Stargate series, Lost had a great final season, Being Human S2 was great and of course we had the two masterful newcomers in Misfits and Sherlock which nearly qualified for best show on their first years. Instead I’m going with…
Best New Show.
Again, a little spoiled for choice, and again very much dominated by British TV, obviously Stargate Universe is an option, and I’d even consider Caprica, although I have to confess that I gave up half way through and came back at the end, none the less, while it took its sweet time to get going I was warming to it. Truth be told it was very nearly Misfits, Channel 4’s ASBO superhero show, and if I can’t come up with an award for it from the usual categories then expect a spurious award near the end because it deserves some love. However, best newcomer is non SF, it was short, but daring and once again it’s Steven Moffat.
This was a surprise, the BBC were running a set of new dramas, some one offs or week long events like The Deep, but then there was Sherlock, a modern take on Sherlock Holmes. Epically named Dominick Cumberbatch took on the role and gave a great young Holmes in his performance, managing to keep the character enjoyable even if you know in real life he’s pretty unlikeable. Martin Freeman took the role of Watson, now a veteran of Afghanistan drawn into holms’ world. The show had a real energy and pace, so much so you really didn’t notice its quite staggering 1hr30mins running time per episode, yes each episode was a mini movie, that in itself is bold enough and kudos to the Beeb for letting them try it. So far we only got 3 episodes but with a further 3 planned these could be short bursts of brilliance.
Best Finale
We had quite a few series end this year, or indeed be axed. In the end though there were two real contenders for this prize, and oddly enough both had similar finales. Lost didn’t win it, now I’m not a hater of this finale, yes it was a bit annoying that the island’s secret was basically “It’s a magic island” and I know that many found the “Alternate” flash sideways turning out to be the afterlife a cop out, and I would have perhaps preferred it to be a parallel world and the solution not to be turning the island off and on again, but regardless Lost’s finale was emotional and offered a sense of closure for me at least. But it’s not the winner, no that has to go to…
Most Improved Show,
This is a tough one this year, possibly because most of the series are either new or the returnees were pretty damn good already. So I reckon I may be pretty controversial when I say the winner is
You may think I’m just making sure chuck gets an award this year, and you may be right, however stay with me. Chuck was good already, but I really do think that it has been consistently improving over its run. S3 gives us chuck with a new intersect, one that gives him kung fu skills. Not just that but its one of the few series I know that can take getting a sudden series extension and not have the latter half turn out rubbish.
Most Gratuitous T&A in a series
I didn’t catch too much of Dollhouse this year, so I can’t say if it qualifies. In fact T&A is clearly something ion this age of austerity we can’t afford, or perhaps its just I’m watching fewer shows that lend themselves to it. I should probably watch the Hawaii Five O remake as it’s meant to be littered with it so I can have this award in next year. I could use Misfits but what T&A it had wasn’t particularly gratuitous, so instead I’m opting for a non genre show that I’ve watched a bit of, because I like this award.
I’ve seen a few episodes of this and wow, you thought Knight Rider was bad, women seem to wonder around topless just for the hell of it. The scene that I thought really exemplified this was during an episode where there had been a drought and at the end it rains once our titular hero has killed someone in a gladiatorial bout. Apparently in ancient Rome rain made women in crowds fall out of their tops. Similarly a fringe benefit to being rich was that you could have topless slaves hanging around your house and your wife wouldn’t bad an eyelid. I get the feeling at script meetings someone did ask ‘How can we get more boobs into this series?’
Best Factual series
I’ve realised I watch a lot of documentaries, due to the unique nature of various channels I often don’t know if I’m watching something new or something ages old. I have also decided to have two separate categories. Shows like the excellent Wonders of the Solar system are clearly factual, however entertaining they may be while something like Top Gear is technically factual but is first and foremost entertainment. I thought this was an important distinction.
This year I’ve been fairly spoilt for choice. A good start was the badly advertised and barely plugged “The Digital Revolution” presented by Dr Alex Krotski, this had a lot going for it, not only was it an interesting insight into the social impacts of our information age but it was presented by the presenter I liked the most from 1990s games review programme Bitz. Mythbusters is also a worthy candidate, straddling the boundary between factual and Entertainment factual with aplomb. The winner this year must be.
Best Entertainment Factual
And so from the less noble end, again we have Mythbusters as a possibility and the ever present Top Gear, in fact all we were short of were a few drama-documentaries which seem to have been in short supply. However my award goes to.
Best UK Network/Channel
To be fair there’s only a little competition in this, Virgin/Channel one are improving but look set to be dismantled after a Sky Buyout, Living will probably qualify for a Pirate Bay award next year, Channel 4 made a good effort with Misfits and now that Big Brother is gone I expect wonders. Sky1 itself is on a bit of a decline, having far fewer shows that I’m interested in this year than last now that Lost is gone however their recent purchase of exclusive rights to all of HBO’s output is promising even if their proportional budget on home grown series is miniscule. Bravo is still Bravo with nothing particularly new or interesting and with SyFy running V, Eureka and Warehouse 13 its fast becoming the channel filled with series I should watch but don’t. No, the winner this year is,
The RIAA award for harm caused to Bit-Torrent
Most networks are beginning to understand that getting stuff on screen as soon as is humanly possible after US screenings is the best way to stop people downloading stuff. So this year the award has been flipped to recognise those who do their best to keep you off the Bit Torrents. A credit here should go to ITV, Channel 4 and the BBC who have made their on demand service for catching repeats available to as many people as possible (Living only allow on demand on premium packages and sky only allow their Anytime service on sky) Sky have got anytime and have the best record for putting shows on usually in the same week they air. I’m torn though. See Sky’s protectionism is driving people like me to bit-torrents when we miss things (There were a few episodes of Lost I had to catch up on through “Alternate” means) it’s a small thing but it’s the only thing this year that pushed me to Bit Torrent. In the end it has to be
Only the Good Die young award.
Not too many entries here. I could say Defying Gravity but I may sound like a broken record next award. Instead I’m going to go for,
I know it was 2 seasons old, but it was really getting moving. They had found a groove, were building a mythology, and now we’ll never know how it was to end. I miss my dose of supernatural fun.
Never given a proper chance award
This one should be obvious
Most Promising 1st Season.
Again, a crowded year, Sherlock, Caprica, Stargate Universe, Defying Gravity. But in the end of the day the series which had a season that made me sit up and take notice was.
Most off the Boil series.
No pre-amble it has to be
The Reilly 2040 worst padding award
It’s a tough call, I could hit Heroes a bit more but that would be cruel, and if Padding was the only problem with “the Deep” it would be a mercy. It could be Caprica, I don’t know because I faded out mid season and came back nearer the end. No, it’s a tough call but I think it will be
I suppose it usually wasn’t a padding episode, but more some episodes were padded, So much of the Earth based body swap stuff is just tedious and most of the time you’re just waiting to see people in dark corridors whisper at each other to let you know that you’re seeing the interesting bit. If you extracted the padding and re-distributed destiny sub-plots I reckon you could have shaved a couple of episodes off this series. Overall though USTV, you are improving.
Pie Man Special Award
This is an award for something I think is good but has been sidelined by better, newer or just by accident. This year it is
It nearly warranted the “Worst Treatment” award, see last year Team Chuck only thought they were getting 12 episodes, wrote a tight 12 episode arc and once ratings were ok were then surprised with another 10 eps. I don’t give the award because wheat we got from this was something more akin to 2 seasons rolled in one. It may have actually removed some padding. Chuck is still a Joy, and a greater involvement of the extended cast meant we got more Buy More antics, a greater involvement for Morgan and best of all, an end to the will they/won’t they Chuck and Sarah question, they did and it stuck. Plus we got at least 2 new Jeffster Numbers. I can’t say this enough but a Jeffster Album?
Graceful Retirement Award
I think we only had one real contender, Heroes’ retirement being anything but graceful the award goes to
Worst Treatment of a series
Virgin/Channel One were a possibility, but chuck wasn’t as badly treated as last year. I reckon Living are already getting much of my Ire for next year over Chuck as well, so lets have a different perpetrator this year.
Biggest Missed opportunity
I was tempted to say Caprica, but it was improving towards the end of S1, instead I think I’ll shoot at a one off Drama the BBC produced initially as a 5 day TV event, but were so worried about its poor quality that we had to endure 5 weeks of torment. I speak, of course, of.
The Deep
James Nesbit, Minnie Driver and a crew of other “Him off of that things” take a submarine to the Antarctic undersea volcanoes to try and find out what happened to the previous mission (Containing Nesbit’s wife) and carry on their research. What followed was a horror of dodgy premises, poor acting, poorer scriptwriting and mind boggling stupidity. Note to writers, you should not see a twist and say “Was that meant to be a twist”
Various plot elements only made sense if you accepted that someone would pay to shove idiots underwater. Here are two examples, presented in time honoured “Choose your own adventure Style”
You are on an evil giant Russian sub that looks suspiciously like that factory they film Dr Who in a lot. To repair your sub and get everyone away from the soon to explode nuclear reactor you need to find the last sub and salvage a part from it. You are using two pods to double your search chances. One is your own, its controls labelled in English but it lacks the ability to dock with an airlock. The other is the Russian one; it can dock but has all its controls in Russian. You have two pilots, one, Clem speaks no Russian, does not know what part to look for and will have a long drawn out trauma about his wife who was killed on that sub, the other, Svetlana speaks Russian and knows what part to find.
If you put Svetlana in the Russian pod and Clem in your own, go to Paragraph C
If you Put Clem in the Russian pod and Svetlana in your own, go to Paragraph B
B Congratulations, you are churning out daft decisions suitable for a writer of The Deep, situation 2 is here.
You are a sonar operator and know your boss is on the take to corrupt Russian oil barons. You suspect your boss knows you are on to you when he comes in holding a pistol, but the slide is frozen.
If you rush your boss to try and wrestle the gun from him before he can free it up go to Paragraph C
If you stare at him with a gormless expression, akin to a cow looking at a slaughterhouse wondering what goes on in there, go to Paragraph D
Paragraph C Bad luck, your decisions are good but do not draw out enough “Drama” you will never make it as a scriptwriter of “The Deep”
Paragraph D Well done, you are probably dead, of your own stupidity, but if you have survived the terrors of using a spoon to eat breakfast you could have a future writing any sequel to “The Deep”
Think this sums up what I thought of the show, it could have been interesting, educational, tense and claustrophobic, but it failed to hit any of these. The money should have been given to the poor.